115 bars of 4/4 at 138 BPM, about 3:22 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 58-64 and 107-113 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 29 times: bars 6, 8, 9, 16, 21, 22 and 23 more.
11 more fills are written out on the fills page.
115 bars across 15 sections: 67 keep time, 29 are fills, 6 are stops and 5 are silent. The longest unbroken stretch of time is bars 59-65.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
115 bars, about 3:22 at the written tempo. The course breaks it into 52 exercises over 12 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 29 times: bars 6, 8, 9, 16, 21, 22 and 23 more.