106 bars at 156 BPM -- fast, and 2:43 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-19, silence through bars 20-24, hi-hat through bars 25-37, silence through bars 38-69 and snare through bars 70-74, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 9-18 and 34 -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
BD |x---------------|8 fills to learn, played 12 times: bars 32, 36, 50, 66, 69, 70 and 6 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
156 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
106 bars, about 2:43 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 32, 36, 50, 66, 69, 70 and 6 more.