126 bars of 4/4 at 128 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-19, 21-26 and 82-88 -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 28, 52, 60, 66, 70, 73 and 6 more.
2 more fills are written out on the fills page.
126 bars across 11 sections: 97 keep time, 12 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-27.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
126 bars, about 3:56 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 28, 52, 60, 66, 70, 73 and 6 more.