112 bars of 4/4 at 143 BPM, about 3:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8, 11 and 16, and 17 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 2 times: bars 71 and 106.
112 bars across 13 sections: 88 keep time, 3 are fills and 5 are silent. The longest unbroken stretch of time is bars 5-21.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
112 bars, about 3:08 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 71 and 106.