The beat the song is built on is a 2-bar phrase, played through bars 33-39, 41-47 and 66-72, and 2 more places -- 56.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on crash, hi-hat, snare, kick and hi-hat foot, counted in thirty-second notes. On its own it scores 81 out of 100 -- hard -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 71 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 68 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 68, 81, 95, 109 and 123 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare, kick and hi-hat foot, in 4/4 at 123 BPM, counted in thirty-second notes. It is written out above, and it covers 56.5% of the bars the kit plays.
Bars 33-39, 41-47, 66-72 and 74-80, and 1 more place. The time is kept on the silence to start with, and it changes 7 times over the song.
81 out of 100 on its own -- hard. The song as a whole is 71 out of 100: demanding, mostly on the independence between the hands and the feet.