90 bars of 7/4 -- not four -- at 131 BPM, 4:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 12 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 27 times: bars 6, 10, 12, 14, 18, 22 and 21 more.
1 more fill is written out on the fills page.
90 bars across 3 sections: 22 keep time, 27 are fills, 1 is a stop and 40 are silent. The longest unbroken stretch of time is bars 31-34.
131 BPM, in 7/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
90 bars, about 4:36 at the written tempo. The course breaks it into 9 exercises over 4 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 27 times: bars 6, 10, 12, 14, 18, 22 and 21 more.