64 bars of 4/4 at 133 BPM, about 1:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-40, 46 and 48, and 2 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 4, 5, 6, 7, 10, 47 and 2 more.
64 bars across 8 sections: 37 keep time, 8 are fills, 10 are stops and 5 are silent. The longest unbroken stretch of time is bars 26-40.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
64 bars, about 1:55 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 4, 5, 6, 7, 10, 47 and 2 more.