The beat the song is built on is one bar, played through bars 82-84, 86-89 and 91, and 14 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on the ride, counted in sixteenth notes. On its own it scores 21 out of 100 -- straightforward -- and the thing that decides that is the speed of the hand keeping time.
The whole song is 59 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 195 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 195, 228 and 260 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on ride, in 4/4 at 260 BPM, counted in sixteenth notes. It is written out above, and it covers 18.2% of the bars the kit plays.
Bars 82-84, 86-89, 91 and 93, and 13 more places. The time is kept on the hi-hat to start with, and it changes 7 times over the song.
21 out of 100 on its own -- straightforward. The song as a whole is 59 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.