108 bars of 7/4 -- not four -- at 125 BPM, 4:43 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 57-60, 62-65 and 67-70, and 1 more place -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 18 times: bars 2, 6, 14, 22, 34, 38 and 12 more.
9 more fills are written out on the fills page.
108 bars across 11 sections: 39 keep time, 18 are fills, 6 are stops and 36 are silent. The longest unbroken stretch of time is bars 8-13.
125 BPM, in 7/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
108 bars, about 4:43 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 2, 6, 14, 22, 34, 38 and 12 more.