163 bars of 4/4 at 120 BPM, about 5:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 50-56 and 147-153 -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 34, 49, 98, 99, 101, 115 and 5 more.
3 more fills are written out on the fills page.
163 bars across 17 sections: 128 keep time, 11 are fills and 1 is silent. The longest unbroken stretch of time is bars 36-48.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
163 bars, about 5:12 at the written tempo. The course breaks it into 48 exercises over 20 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 34, 49, 98, 99, 101, 115 and 5 more.