285 bars of 4/4 at 140 BPM, about 8:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-16, 21-28 and 45-47, and 9 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 21 times: bars 7, 8, 17, 18, 19, 20 and 15 more.
4 more fills are written out on the fills page.
285 bars across 24 sections: 200 keep time, 21 are fills, 10 are stops and 39 are silent. The longest unbroken stretch of time is bars 60-84.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
285 bars, about 8:09 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 7, 8, 17, 18, 19, 20 and 15 more.