66 bars of 4/4 at 111 BPM, about 2:23 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-40, 54-56 and 58-60, and 1 more place -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 8, 17, 25, 41, 49, 53 and 3 more.
2 more fills are written out on the fills page.
66 bars across 7 sections: 31 keep time, 9 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 9-16.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
66 bars, about 2:23 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 9 times: bars 8, 17, 25, 41, 49, 53 and 3 more.