72 bars of 4/4 at 110 BPM, about 2:37 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 14-15 and 25-27, and 2 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 12, 28, 44, 60, 69, 70 and 2 more.
72 bars across 10 sections: 50 keep time, 8 are fills and 3 are silent. The longest unbroken stretch of time is bars 15-23.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
72 bars, about 2:37 at the written tempo. The course breaks it into 31 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 12, 28, 44, 60, 69, 70 and 2 more.