153 bars of 4/4 at 133 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 67-73, 75-81 and 121-127, and 2 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 12, 20, 32, 52, 60, 74 and 7 more.
3 more fills are written out on the fills page.
153 bars across 19 sections: 80 keep time, 13 are fills, 27 are stops and 25 are silent. The longest unbroken stretch of time is bars 1-8.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
153 bars, about 4:36 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 12, 20, 32, 52, 60, 74 and 7 more.