130 bars of 4/4 at 135 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-13, 15-17 and 19-21, and 3 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 7, 8, 9, 10, 14, 26 and 8 more.
1 more fill is written out on the fills page.
130 bars across 15 sections: 94 keep time, 14 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 83-98.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
130 bars, about 3:51 at the written tempo. The course breaks it into 46 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 7, 8, 9, 10, 14, 26 and 8 more.