149 bars, 29:21, at 20 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 46, 48-51 and 73-75, and 9 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 34, 44, 45, 71, 72, 76 and 8 more.
4 more fills are written out on the fills page.
149 bars across 15 sections: 71 keep time, 14 are fills, 25 are stops and 24 are silent. The longest unbroken stretch of time is bars 88-98.
20 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
149 bars, about 29:21 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 34, 44, 45, 71, 72, 76 and 8 more.