249 bars of 4/4 at 120 BPM, about 8:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-45, 48-49 and 52-53, and 13 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 11 times: bars 63, 71, 85, 88, 107, 119 and 5 more.
249 bars across 21 sections: 172 keep time, 12 are fills, 32 are stops and 9 are silent. The longest unbroken stretch of time is bars 166-181.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
249 bars, about 8:18 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 11 times: bars 63, 71, 85, 88, 107, 119 and 5 more.