The beat the song is built on is a 2-bar phrase, played through bars 5-19, 21-27 and 29-42, and 3 more places -- 53.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on snare, mid tom, floor tom and kick, counted in thirty-second notes. On its own it scores 51 out of 100 -- a step up -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 61 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 88 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 88, 104, 119 and 135 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on snare, mid tom, floor tom and kick, in 4/4 at 135 BPM, counted in thirty-second notes. It is written out above, and it covers 53.3% of the bars the kit plays.
Bars 5-19, 21-27, 29-42 and 46-52, and 2 more places. The time is kept on the silence to start with, and it changes 5 times over the song.
51 out of 100 on its own -- a step up. The song as a whole is 61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.