58 bars of 4/4 at a walking 78 BPM, 2:59 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 24-25 and 29, and 5 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 11, 20 and 30.
58 bars across 10 sections: 30 keep time, 3 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 46-53.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
58 bars, about 2:59 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 11, 20 and 30.