108 bars of 6/4 -- not four -- at 145 BPM, 4:26 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13 and 15, and 7 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 38, 39 and 47.
108 bars across 10 sections: 57 keep time, 3 are fills, 1 is a stop and 37 are silent. The longest unbroken stretch of time is bars 61-72.
145 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
108 bars, about 4:26 at the written tempo. The course breaks it into 28 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 38, 39 and 47.