131 bars of 4/4 at a walking 80 BPM, 6:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-44, 83-86 and 91-98, and 1 more place -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 61, 87, 88, 89, 90, 112 and 7 more.
1 more fill is written out on the fills page.
131 bars across 15 sections: 98 keep time, 13 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 22-44.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
131 bars, about 6:33 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 61, 87, 88, 89, 90, 112 and 7 more.