104 bars of 4/4 at 122 BPM, about 3:25 of playing, on hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-32, 50 and 66-68, and 1 more place -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
104 bars across 12 sections: 88 keep time and 11 are silent. The longest unbroken stretch of time is bars 1-23.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
19 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
104 bars, about 3:25 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 21 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.