152 bars of 4/4 at 145 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-35, 37-39 and 41-43, and 11 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 32 times: bars 11, 15, 19, 23, 27, 31 and 26 more.
7 more fills are written out on the fills page.
152 bars across 17 sections: 89 keep time, 35 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 105-111.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
152 bars, about 4:10 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 11, 15, 19, 23, 27, 31 and 26 more.