139 bars of 4/4 at 128 BPM, about 4:19 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-17 and 26-36, and 11 more places -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 37, 53, 54, 55, 63, 76 and 11 more.
6 more fills are written out on the fills page.
139 bars across 18 sections: 96 keep time, 18 are fills and 2 are silent. The longest unbroken stretch of time is bars 25-36.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
139 bars, about 4:19 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 37, 53, 54, 55, 63, 76 and 11 more.