139 bars of 4/4 at 130 BPM, about 4:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-39, 41-42 and 54-56, and 4 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 36 times: bars 8, 16, 23, 24, 27, 28 and 30 more.
11 more fills are written out on the fills page.
139 bars across 14 sections: 50 keep time, 36 are fills, 28 are stops and 19 are silent. The longest unbroken stretch of time is bars 120-126.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
139 bars, about 4:17 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 36 times: bars 8, 16, 23, 24, 27, 28 and 30 more.