138 bars of 4/4 at 120 BPM, about 4:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-12, 22-36 and 53-67 -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 1, 13, 44, 68, 81, 89 and 3 more.
1 more fill is written out on the fills page.
138 bars across 12 sections: 108 keep time, 9 are fills and 8 are stops. The longest unbroken stretch of time is bars 91-121.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
138 bars, about 4:36 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 1, 13, 44, 68, 81, 89 and 3 more.