90 bars of 4/4 at 120 BPM, about 3:00 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18, 20 and 22, and 19 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 21 times: bars 4, 21, 25, 26, 30, 34 and 15 more.
6 more fills are written out on the fills page.
90 bars across 8 sections: 61 keep time, 21 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-16.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
90 bars, about 3:00 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 21 times: bars 4, 21, 25, 26, 30, 34 and 15 more.