127 bars at 182 BPM -- fast, and 2:46 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 2-11, ride through bars 12-27, hi-hat through bars 28-43, snare through bars 44-47, ride through bars 48-61 and hi-hat through bars 62-68, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 32-33, 39 and 60, and 5 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
111
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |----x-------x---|
BD |x-------x-x-----|13 fills to learn, played 26 times: bars 19, 26, 27, 34, 35, 41 and 20 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
127 bars, about 2:46 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 19, 26, 27, 34, 35, 41 and 20 more.