98 bars of 4/4 at 126 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-13 and 30-41 -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 12 times: bars 14, 15, 42, 43, 56, 57 and 6 more.
98 bars across 10 sections: 70 keep time, 12 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-13.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
98 bars, about 3:05 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 12 times: bars 14, 15, 42, 43, 56, 57 and 6 more.