54 bars of 4/4 at 120 BPM, about 1:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 26-28 and 30-32, and 2 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 8, 12, 14, 15, 16, 20 and 12 more.
5 more fills are written out on the fills page.
54 bars across 9 sections: 24 keep time, 18 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-7.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
54 bars, about 1:48 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 8, 12, 14, 15, 16, 20 and 12 more.