50 bars of 4/4 at 130 BPM, about 1:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-8 and 10-12 -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 5, 7, 9, 11, 13, 15 and 7 more.
4 more fills are written out on the fills page.
50 bars across 8 sections: 17 keep time, 13 are fills, 11 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-4.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 50 out of 100; the rest of the number is everything around it.
50 bars, about 1:32 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 5, 7, 9, 11, 13, 15 and 7 more.