136 bars of 4/4 at 120 BPM, about 4:32 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-34, 36 and 38, and 18 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 14, 15, 53, 57, 85, 89 and 1 more.
136 bars across 10 sections: 108 keep time, 7 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 91-106.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
136 bars, about 4:32 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 14, 15, 53, 57, 85, 89 and 1 more.