138 bars of 4/4 at 136 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45-48, 53-54 and 71-77, and 6 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 40, 61, 62, 70, 78, 100 and 5 more.
4 more fills are written out on the fills page.
138 bars across 13 sections: 102 keep time, 11 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-23.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
138 bars, about 4:04 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 40, 61, 62, 70, 78, 100 and 5 more.