190 bars of 4/4 at 120 BPM, about 6:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 82-93 and 158-169 -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 53, 57, 118, 127, 128, 129 and 8 more.
4 more fills are written out on the fills page.
190 bars across 15 sections: 112 keep time, 14 are fills and 45 are stops. The longest unbroken stretch of time is bars 10-28.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
190 bars, about 6:20 at the written tempo. The course breaks it into 60 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 53, 57, 118, 127, 128, 129 and 8 more.