121 bars of 4/4 at 132 BPM, about 3:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-32, 73-75 and 77, and 2 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 48, 90 and 106.
121 bars across 13 sections: 89 keep time, 3 are fills and 16 are silent. The longest unbroken stretch of time is bars 17-32.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
121 bars, about 3:40 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 48, 90 and 106.