184 bars of 4/4 at 129 BPM, about 5:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 41-43, and 15 more places -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 20, 23, 48, 64, 88, 104 and 7 more.
1 more fill is written out on the fills page.
184 bars across 18 sections: 111 keep time, 13 are fills, 19 are stops and 17 are silent. The longest unbroken stretch of time is bars 34-47.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
184 bars, about 5:42 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 20, 23, 48, 64, 88, 104 and 7 more.