120 bars of 4/4 at 132 BPM, about 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-12, 14-21 and 31-38, and 1 more place -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 22, 39, 63, 74, 81, 82 and 3 more.
1 more fill is written out on the fills page.
120 bars across 11 sections: 82 keep time, 9 are fills, 7 are stops and 11 are silent. The longest unbroken stretch of time is bars 5-21.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 10 out of 100; the rest of the number is everything around it.
120 bars, about 3:55 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 22, 39, 63, 74, 81, 82 and 3 more.