126 bars of 4/4 at 128 BPM, about 4:00 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 17-19 and 111-113, and 1 more place -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 2, 8, 15, 22, 36, 48 and 12 more.
6 more fills are written out on the fills page.
126 bars across 18 sections: 77 keep time, 18 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 90-105.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
126 bars, about 4:00 at the written tempo. The course breaks it into 55 exercises over 22 sittings, about 24 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 2, 8, 15, 22, 36, 48 and 12 more.