270 bars of 4/4 at 116 BPM, about 8:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-25, 64-73 and 176-179, and 5 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 50 times: bars 2, 4, 6, 8, 26, 27 and 44 more.
19 more fills are written out on the fills page.
270 bars across 25 sections: 102 keep time, 50 are fills, 12 are stops and 84 are silent. The longest unbroken stretch of time is bars 63-73.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
270 bars, about 8:58 at the written tempo. The course breaks it into 78 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 50 times: bars 2, 4, 6, 8, 26, 27 and 44 more.