148 bars of 4/4 at 135 BPM, about 4:23 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 103-148 -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
148 bars across 8 sections: 132 keep time and 8 are silent. The longest unbroken stretch of time is bars 104-148.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
148 bars, about 4:23 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.