The beat the song is built on is a 2-bar phrase, played through bars 15-22, 27-34 and 37-52, and 13 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, hi-hat, snare and kick, counted in thirty-second notes. On its own it scores 47 out of 100 -- a step up -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 59 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 117 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 117, 137 and 156 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 156 BPM, counted in thirty-second notes. It is written out above, and it covers 33.6% of the bars the kit plays.
Bars 15-22, 27-34, 37-52 and 55-69, and 12 more places. The time is kept on the toms to start with, and it changes 28 times over the song.
47 out of 100 on its own -- a step up. The song as a whole is 59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.