102 bars of 4/4 at 125 BPM, about 3:16 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-6, 28-31 and 49-54, and 4 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 9 times: bars 7, 27, 36, 48, 55, 59 and 3 more.
102 bars across 12 sections: 76 keep time, 10 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 9-22.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
102 bars, about 3:16 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 9 times: bars 7, 27, 36, 48, 55, 59 and 3 more.