105 bars of 4/4 at 124 BPM, about 3:23 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-32, 41-44 and 51-52, and 6 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 21, 28, 29, 33, 45, 53 and 14 more.
4 more fills are written out on the fills page.
105 bars across 14 sections: 59 keep time, 20 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 54-60.
124 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
105 bars, about 3:23 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 21, 28, 29, 33, 45, 53 and 14 more.