120 bars of 4/4 at 124 BPM, about 3:51 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 6 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 4, 28, 33, 34, 35, 36 and 4 more.
3 more fills are written out on the fills page.
120 bars across 15 sections: 88 keep time, 10 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 13-27.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
120 bars, about 3:51 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 4, 28, 33, 34, 35, 36 and 4 more.