70 bars of 4/4 at 125 BPM, about 2:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 10 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 6, 7, 8, 16 and 61.
70 bars across 6 sections: 56 keep time and 5 are fills. The longest unbroken stretch of time is bars 46-60.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
70 bars, about 2:14 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 6, 7, 8, 16 and 61.