87 bars of 4/4 at 120 BPM, about 2:54 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29, 33 and 37, and 6 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 19, 25, 55, 69 and 75.
1 more fill is written out on the fills page.
87 bars across 14 sections: 38 keep time, 5 are fills, 30 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-7.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
87 bars, about 2:54 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 19, 25, 55, 69 and 75.