83 bars of 4/4 at 120 BPM, about 2:45 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-32, 38 and 40, and 3 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 23, 25, 26, 27, 28, 29 and 20 more.
6 more fills are written out on the fills page.
83 bars across 12 sections: 35 keep time, 26 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 52-60.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
83 bars, about 2:45 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 23, 25, 26, 27, 28, 29 and 20 more.