150 bars of 4/4 at 115 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 86-87, 89-91 and 93-95, and 1 more place -- 7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 40 times: bars 7, 8, 9, 14, 15, 16 and 34 more.
18 more fills are written out on the fills page.
150 bars across 19 sections: 80 keep time, 40 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 113-120.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 49 out of 100; the rest of the number is everything around it.
150 bars, about 5:10 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 40 times: bars 7, 8, 9, 14, 15, 16 and 34 more.