95 bars of 4/4 at 116 BPM, about 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-24, 37-43 and 46, and 1 more place -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 10 times: bars 25, 26, 51, 52, 60, 61 and 4 more.
95 bars across 7 sections: 68 keep time, 10 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 27-50.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
95 bars, about 3:15 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 25, 26, 51, 52, 60, 61 and 4 more.