319 bars of 4/4 at 145 BPM, about 8:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50-51, 58-61 and 118-119, and 13 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 78 times: bars 26, 27, 28, 29, 37, 39 and 72 more.
28 more fills are written out on the fills page.
319 bars across 37 sections: 168 keep time, 78 are fills, 13 are stops and 26 are silent. The longest unbroken stretch of time is bars 135-147.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
319 bars, about 8:48 at the written tempo. The course breaks it into 94 exercises over 25 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 78 times: bars 26, 27, 28, 29, 37, 39 and 72 more.